Reggae Riddims – The inspiration of Reggae Music

What is a reggae “riddim? “

“Riddim” could be the Jamaican Patois term for the instrumental “rhythm” trail of a tune, also known as the “groove” or even the “beat”. Jamaican popular songs, and many more types of Carribbean music, are constructed on riddims.

Riddims usually consist of some sort of prominent bass collection and a particular unique drum design and are genuinely the backbone associated with dub, reggae, lovers’ rock, ragga, roots, dancehall, etc. A lot of riddims originate through a hit track and the riddim carries the brand of the tune, by way of example I-Wayne’s 2004 hit “Lava Ground” for the Lava Surface Riddim. Or, inside some cases, the riddim takes the most popular tune upon it. For example, the Satta Massagana Riddim will be named after Typically the Abyssinians’ original track “Satta Massagana”.

Sometimes, an artiste may voice two completely different songs on the identical riddim. And it’s really common for various histrion to voiceover the same riddims with different lyrics and different vocal styles, varying from singing to be able to toasting. For example , Jah Cure’s “Call In Me”, Gyptian’s “Butterfly”, and Tanya Stephens’ “Reminiscing” are about 2009’s wonderful Fine Love Riddim. The success of a riddim is regarded by how a lot of artistes “juggle” this, or make their very own own vocal interpretations of it. Jamaican audiences will determine set up tune is usually big and, if so, other histrion will write brand new lyrics to “ride the riddim”.

Presently there can be a lot more than a dozens of popular current riddims, but there are usually just a few “hot” riddims at any moment. Artistes have to report over these sizzling riddims if they want a much better shot at obtaining their songs played in the dancehalls or on the radio. Many times some sort of dance is even created honoring the riddim, like Pepperseed, or Gully Creeper, or who is able to neglect the world’s speediest man Usain Bolt’s victory dance, “Nah Linga”?!!

The riddims don’t always originate from reggae; some urban contemporary songs can become riddims as effectively. The instrumental associated with Ne-Yo’s “Miss Independent” has turned into a popular riddim; many dancehall designers have recorded songs using the track. Additional songs have encouraged riddims too, such as George Michael’s song “Faith, inch which became some sort of riddim of the same title, and R. Kelly’s “Snake, ” which became the Baghdad Riddim.

Forms of riddims

Riddims are African-american in origin in addition to are generally one particular of three forms. The oldest, the “classical” riddim, supplies the instrumentals regarding dub, roots reggae and lovers’ stone (well known producers include Sly & Robbie). The “ragga” riddim backs (or used to back) raggamuffin and dancehall songs. And “digital” riddims (e. g., King Jammy’s Sleng Teng Riddim) are generally created with computers, synthesizers and trommel machines; in other words, these people are really electric riddims.

The associated with technology changed the complete business. No more time must you pay for studio as well as seek the services of musicians! This opened up up the business to some whole fresh generation of suppliers, musicians and entertainers. Today, most riddims backing dancehall plus Soca are digital. Digital riddims, along with the global reach and popularity of dancehall, have also spawned the creation of a lot more popular riddims outside the house Jamaica.


“Versioning” is the name for recycling or perhaps rejuvenating old riddims using computers in addition to samplers, and voicing over them along with new artistes. Discovery bay, jamaica has been versioning since the 60s. A few of these riddims usually are decades old, many of them taken from Clement “Coxsone” Dodd’s renowned Kingston facilities, Studio One. Some great riddims came away of Studio One in the ’60s and ’70s, and you will probably still hear these people versioned in regular rotation by noise systems today.

Versioning can be controversial, nevertheless , because several of those who else produced the initial classic riddims never ever got paid for the riddims on their own. It would end up being nice to acquire some “royalties”!! But today’s artists believe they’re inspired by simply these classics and paying respect by versioning and re-popularizing them. Many Jamaican producers rely seriously on versions although, in the earlier decade, we read less of the training with numerous innovative new riddims being released.

The exploding market of dancehall recently generated many great new riddims. But many happen to be being versioned as well. The Unfinished Business Riddim, popular in 2008, had been a version involving 1998’s hit Showtime Riddim. So it appears old riddims never ever die!


Regarding course, creating a new new and original riddim is much more difficult as compared to versioning an outdated one! Here are some of typically the best original riddim producers in the history & present: Dark Chiney (sound program, DJ, producer), Bobby “Digital B” Dixon (producer), Clement “Coxsone” Dodd (producer, Studio One records), Donovan Germain (producer, Penthouse Studio), Joe Gibbs (producer), King Jammy (dub mixer, producer), King Tubby (dub mixer, producer 1960s-1980s), Duke Reid (producer, Treasure Isle data, dominated the 1960s), Sly and Robbie (producers, Taxi Records), Steely & Clevie (producers).

Two of the hottest young producers of the new millennium share a surname but are usually not related. Sophie “Di Genius” McGregor, son of experienced singer Freddie McGregor, can feature a single of my preferred dancehall riddims of the past few years, the Tingling Riddim (2007), been vocal by Mavado (“Amazing Grace”), Sean Robert (“Watch Them Roll”), yet others. This gifted musician’s riddims usually are so popular that will more than some sort of dozen people may voiceover each regarding them.

The other young star manufacturer is Kemar “Flava” McGregor, who is definitely responsible for some of the hottest hits lately and, in my personal opinion, the most effective origins reggae riddims to be able to come out regarding Jamaica (or typically the world, for of which matter) in decades, by way of example: 2005’s Victorious Riddim (Gyptian’s “Mama Don’t Cry”), 2007’s 83 Riddim (Richie Spice’s “Ah No more Me Dat” & Queen Ifrica’s “Daddy”), and 2010’s Classic Riddim (Pressure’s “Thinking About You”, Duane Stephenson & Igualdad Shiloh’s “Soon As We Rise”), in addition to Sweet Riddim (Etana’s “Happy Heart”, Beres Hammond’s “See You Again”, Ginjah’s “Prayer”). I love typically the wide mix of artistes voicing their riddims – experts and novices likewise – definitely some thing to appeal to be able to everyone. These two producers are out in top of Jamaica’s existing hitmakers!

dpboss For me personally, is actually the smooth reggae beats that get me grooving in addition to swaying; for other people it is the hard striper lines they enjoy within the dancehall ground. Irrespective of your preference, riddims are reggae music’s foundation! Delight in!